Kay Francis was an American stage and film actress. After a brief period on Broadway in the late 1920s, she moved to film and achieved her greatest success between 1930 and 1936, when she was the number one female star and highest-paid actress at Warner Bros. studio. She adopted her mother's maiden name (Francis) as her professional surname.
Read full Wikipedia article ↗Filmography58 titles
Importing filmography…
| Year | Title | Character | Age at release |
|---|---|---|---|
| 2005 | William Powell: A True GentlemanMovie | — | 100 |
| 2003 | Complicated WomenMovie | Self (archive footage) | 98 |
| 1999 | Hidden Hollywood II: More Treasures from the 20th Century Fox VaultsMovie | (archive footage) | 94 |
| 1983 | Hollywood Out-takes and Rare FootageMovie | Self (archive footage) (uncredited) | 78 |
| 1975 | Brother, Can You Spare a Dime?Movie | Self (archive footage) | 70 |
| 1950 | Lux Video TheatreSeries | Alice | 45 |
| 1947 | Blow-Ups of 1947Movie | Self | 42 |
| 1945 | Allotment WivesMovie | Sheila Seymour | 40 |
| 1945 | DivorceMovie | Diane Carter | 40 |
| 1944 | Four Jills in a JeepMovie | Kay Francis | 39 |
| 1943 | Show-Business at WarMovie | Self | 38 |
| 1942 | Between Us GirlsMovie | Christine 'Chris' Bishop | 37 |
| 1942 | Always in My HeartMovie | Marjorie Scott | 37 |
| 1941 | Charley's AuntMovie | Donna Lucia | 36 |
| 1941 | The Man Who Lost HimselfMovie | Adrienne Scott | 36 |
| 1941 | Play GirlMovie | Grace Herbert | 36 |
| 1941 | The Feminine TouchMovie | Nellie Woods | 36 |
| 1940 | Little MenMovie | Josephine "Jo" Bhaer | 35 |
| 1940 | It's a DateMovie | Georgia Drake | 35 |
| 1939 | King of the UnderworldMovie | Dr. Carole Nelson | 34 |
| 1939 | In Name OnlyMovie | Maida Walker | 34 |
| 1939 | Breakdowns of 1939Movie | Self | 34 |
| 1938 | Secrets of an ActressMovie | Fay Carter | 33 |
| 1938 | Breakdowns of 1938Movie | Lady Chase-Wayne / Claire Landin (archive footage) (uncredited) | 33 |
| 1938 | My BillMovie | Mary Colbrook | 33 |
| 1937 | ConfessionMovie | Vera Kowalska | 32 |
| 1937 | Breakdowns of 1937Movie | Self | 32 |
| 1937 | First LadyMovie | Lucy Chase Wayne | 32 |
| 1936 | The White AngelMovie | Florence Nightingale | 31 |
| 1936 | Breakdowns of 1936Movie | Self | 31 |
| 1936 | Give Me Your HeartMovie | Belinda 'Linda' Warren, aka 'Bill' | 31 |
| 1935 | Things You Never See on the ScreenMovie | Self | 30 |
| 1935 | StrandedMovie | Lynn Palmer | 30 |
| 1935 | The Goose and the GanderMovie | Georgiana Summers | 30 |
| 1935 | Living on VelvetMovie | Amy Prentiss | 30 |
| 1934 | British AgentMovie | Elena Moura | 29 |
| 1934 | MandalayMovie | Tanya Borodoff aka Spot White / Marjorie Lang | 29 |
| 1933 | The House on 56th StreetMovie | Peggy Martin Van Tyle / Peggy Stone | 28 |
| 1933 | I Loved a WomanMovie | Laura McDonald | 28 |
| 1933 | Mary Stevens, M.D.Movie | Mary Stevens | 28 |
| 1933 | Storm at DaybreakMovie | Irina Radovic | 28 |
| 1932 | One Way PassageMovie | Joan Ames | 27 |
| 1932 | Street of WomenMovie | Natalie 'Nat' Upton | 27 |
| 1932 | Jewel RobberyMovie | Baroness Teri Hohenfels | 27 |
| 1932 | CynaraMovie | Clemency Warlock | 27 |
| 1932 | Strangers in LoveMovie | Diana Merrow | 27 |
| 1931 | Ladies' ManMovie | Norma Page | 26 |
| 1931 | Girls About TownMovie | Wanda Howard | 26 |
| 1931 | Scandal SheetMovie | Edith Flint | 26 |
| 1931 | 24 HoursMovie | Fanny Towner | 26 |
| 1930 | For the DefenseMovie | Irene Manners | 25 |
| 1930 | Street of ChanceMovie | Alma Marsden | 25 |
| 1930 | Paramount on ParadeMovie | Carmen | 25 |
| 1930 | Let's Go NativeMovie | Constance Cook | 25 |
| 1930 | Behind the Make-UpMovie | Kitty Parker | 25 |
| 1930 | A Notorious AffairMovie | Countess Olga Balakireff | 25 |
| 1930 | Passion FlowerMovie | Dulce Morado | 25 |
| 1929 | The Marriage PlaygroundMovie | Lady Wrench | 24 |