Veit Harlan was a German film director and actor. Harlan achieved the most influence and recognition of his career as a director in the Nazi era, most notably for his antisemitic film Jud Süß (1940).
Read full Wikipedia article ↗Filmography24 titles
| Year | Title | Character | Age at release |
|---|---|---|---|
| 2017 | 100 Years of the UFAMovie | Self - Filmmaker (archive footage) | 118 |
| 1935 | The Red RiderMovie | Andreas | 36 |
| 1935 | Joan of ArcMovie | Pierre | 36 |
| 1935 | My Life for Maria IsabellaMovie | Korporal | 36 |
| 1935 | Don't Lose Heart, Suzanne!Movie | Georg Brinkmann | 36 |
| 1935 | StradivariMovie | Antonio Stradivari | 36 |
| 1934 | A Woman with Power of AttorneyMovie | Schwartzkopf | 35 |
| 1934 | PaganiniMovie | Enrico Tortoni, Mitglied der Truppe Manzetti | 35 |
| 1934 | Farewell WaltzMovie | — | 35 |
| 1934 | Der Fall BrenkenMovie | Der Unbekannte | 35 |
| 1934 | Police File 909Movie | Inose Hironari | 35 |
| 1933 | The Anthem of LeuthenMovie | Paul | 34 |
| 1933 | Die unsichtbare FrontMovie | Friseur Jonny | 34 |
| 1933 | TyphoonMovie | Inose Hironari | 34 |
| 1932 | FredericaMovie | Herzog Karl August von Weimar | 33 |
| 1932 | Schill's eleven officersMovie | Klaus Gabain | 33 |
| 1931 | A Woman BrandedMovie | Ein Student | 32 |
| 1931 | Help! Raid!Movie | Otto Weigandt | 32 |
| 1930 | Revolte im ErziehungshausMovie | Kurt | 31 |
| 1929 | The SomnambulistMovie | — | 30 |
| 1927 | The Master of NurembergMovie | David | 28 |
| 1927 | Eins + Eins = DreiMovie | Paul | 28 |
| 1927 | Die HoseMovie | Mandelstam | 28 |
| 1927 | Das Mädchen mit den fünf NullenMovie | — | 28 |