Vilmos Zsigmond was a Hungarian-American cinematographer. His work helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. In 2003, he was voted as one of the ten most influential cinematographers in history by the members of the International Cinematographers Guild.
Read full Wikipedia article ↗Filmography20 titles
Importing filmography…
| Year | Title | Character | Age at release |
|---|---|---|---|
| 2019 | Blood & Flesh: The Reel Life & Ghastly Death of Al AdamsonMovie | — | 89 |
| 2017 | SpielbergMovie | Self | 87 |
| 2016 | Close Encounters with Vilmos ZsigmondMovie | Self | 86 |
| 2012 | Side by SideMovie | Self | 82 |
| 2011 | Woody Allen: A DocumentaryMovie | Self | 81 |
| 2010 | LouisMovie | Hungarian Photographer | 80 |
| 2010 | A Cinematic Life: The Art and Influence of Conrad HallMovie | Self | 80 |
| 2009 | No Subtitles Necessary: Laszlo & VilmosMovie | Self | 79 |
| 2006 | Who Needs Sleep?Movie | Self | 76 |
| 2004 | Z Channel: A Magnificent ObsessionMovie | Self | 74 |
| 2003 | Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved HollywoodMovie | Self | 73 |
| 2003 | Who Killed 'Winter Kills'?Movie | Self | 73 |
| 2003 | Return of the "Hired Hand"Movie | Himself | 73 |
| 2001 | The Making of 'Close Encounters of the Third Kind'Movie | Self | 71 |
| 2001 | 'Obsession' RevisitedMovie | Self | 71 |
| 2000 | Light Keeps Me CompanyMovie | Self | 70 |
| 2000 | Altman on His Own TermsMovie | Self | 70 |
| 1997 | Big Guns Talk: The Story of the WesternMovie | Self | 67 |
| 1994 | MaverickMovie | Albert Bierstadt | 64 |
| 1953 | The OscarsSeries | Self | 23 |